In addition to the tutors listed, our team of staff coaches and accompanists also include:
Eunji Han
Versatile collaborative pianist, Eunji extensively performs throughout Europe, in such prominent venues as St Bride’s, St Andrew’s (UK), Petit Palais, Opéra de Lyon, Prieuré de Chirens (France). She has been invited to the festivals such as International Lied Festival Zeist (Netherlands), Festival Culturel International de Musique Symphonique (Algeria), Les Allées Chantent (France), A casa de Aldán (Spain) and Lavaux Classic Off (Switzerland). She is Oxford Lieder and Leeds Lieder Young Artist, official accompanist at Aigues-Vives en Music (France) as Young Artist Fellow, J&R International Music Academy (South Korea and France), and Concours Junoir “Souffle” in La Côte Flûte Festival (Switzerland). Her passion for exploring contemporary music led her to found Ensemble Dimensions where she premiered young composers’ works including Alex Nante’s ‘Arcanum’ for two pianos, two percussions sets and dance, Sirah Martínez Alvarez’s ‘Une espèce de bêtise m’a sauté aux yeux’ for saxophone alto and piano, commissioned by the ensemble. The Ensemble held an educational project for children with Anahita Abbasi’s ‘Moving Surfaces III / Another birth’ for piano, tenor saxophone and percussions. She has also performed with Lemanic Modern Ensemble under the baton of Pierre Bleuse. Her motivation for the orchestral piano has driven to perform under the baton of Mikko Franck, William Blank, Ricardo Castro and Alain Jacquon.
Eunji studied at Ewha Womans University (S. Korea) receiving a Bachelor of Music in Piano with Soo-Yeon Lim and Yehrim Lee, Conservatoire de Lyon (France) for Piano and Piano Accompaniment with Hervé Billaut and Laetitia Bougnol, Conservatoire National Supérieur de Musique et Danse de Lyon (France) completing the DNSPM in Piano Accompaniment and Master of Chamber Music with David Selig, Franck Krawczyk, Sergio Menozzi and Dana Ciocarlie, Haute Ecole de Musique de Lausanne (Switzerland) earning Master of Music in Piano Accompaniment with Marc Pantillon, Todd Camburn and Béatrice Richoz, and most recently the Royal Academy of Music (UK) being awarded Advanced Diploma in Piano Accompaniment under the guidance of James Baillieu and Malcolm Martineau. Her studies were generously supported by the RAM, Mécénat Musical Société Générale and ADAMI France. Eunji has taken opportunities also to have masterclass with Mark Padmore, Christoph Glynn, James Gilchrist, Anna Tilbrook, Amanda Roocroft, Graham Johnson, Helmut Deutsch, Jeff Cohen, Hartmut Höll, John Fiore, Billy Eidi, Anne le Bozec, Laurent Cabasso, Sontraud Speidel, Françoise Thinat and Sharon Boaz. She has appeared at the Radio Télévision Suisse (Espace 2) for her constant research of french women composers, Lili and Nadia Boulanger. This project led her to exhibit and give concert series dedicated to Lili Boulanger, ‘Sur les pas de Lili’ at the Médiathèque Nadia Boulanger of CNSMD de Lyon. Eunji is the laureate of the Concours International de la mélodies de Gordes with Soprano Yui Futaeda and Jeunes Talents in Paris with saxophonist Helena Otero Correa.
Claire Haslin
Claire comes from Glasgow, where she studied at the Royal Scottish Academy of Music and Drama (now RCS) with Jean Hutchison. There, she won prizes for Solo and Chamber music, including the Peter Morrison Prize for All Round Excellence, and represented the Academy in recital tours of Iceland and Russia. She then completed the Advanced Solo Studies course at the Guildhall School of Music and Drama, studying with Paul Roberts. Claire is active both as an instrumental and song accompanist, playing chamber music recitals for music societies throughout Scotland, performing regularly as a member of Trio Ecossaise and the Kilnaish Duo, as well as collaborating in a duo with baritone Phil Gault. Claire has been a staff repetiteur at Scottish Opera, a Vocal Coach on the ‘Vocal Inspiration’ and ‘Art of Song’ courses, is a staff accompanist & coach for the Scottish International Flute Summer School, and accompanies for NYCoS residential courses and concerts.
Margaret Marinkovic
Margaret Marinkovic studied piano and cello prior to accompaniment at GSMD with Paul Hamburger and Peter Gellhorn. As a student, she participated in masterclasses with Hugues Cuenod, Geoffrey Parsons, and Roger Vignoles.
Margaret has coached, répétiteured and performed worldwide, and has been fortunate to work with Peter Pears, Richard Bonynge, Laura Sarti, Janis Kelly, Marianne Cornetti and Nelly Miricioiu.
Mark Rogers
Mark Rogers is an American pianist specializing in vocal and chamber music. He has been a Young Artist at the International Lied Festival Zeist, Leeds Lieder Festival, the Ludlow English Song Weekend, and has played for masterclasses with Christian Gerhaher, Martin Fröst, Felicity Lott, and Lawrence Power among others.
Together with regular recital partner baritone Florian Störtz, they won the Prix de Mélodie at the Concours Nadia et Lilli Boulanger and the audience and First prize at the Helmut Deutsch Lieder Competition. Mark performs recitals regularly with musicians on the Countess of Munster and Philharmonia schemes and has played concerts at Scottish Parliament, the Malmö Radhuset, and a series of recitals at Atelier Ferrandou in the south of France with cellist Kristian Chojecki. Previously, he was the accompanist for BBC Choir of the year Les Sirenes, and is a staff pianist at Oxenfoord summer school.
Mark is an alumnus of the Royal Academy of Music where he studied with James Baillieu, Malcolm Martineau, and Michael Dussek. was recently awarded the first prize in Art Song accompaniment at the Royal Academy of Music and has previously been awarded the Alex Menzies Memorial prize and the Hester Dickson Lieder prize at the Royal Conservatoire of Scotland, where he completed his undergraduate studies with Graeme McNaught in 2021. In addition to performing, he has won first prize from the Royal Philharmonic Society for his article on Samuel Barber in their Young Classical Writers competition, and writes program notes for the Wigmore Hall.
Nicola Rose
Nicola Rose is a British pianist and accompanist, known for her dedication to both performance and education. Her musical journey began as one of the founding girl choristers at Salisbury Cathedral.
She pursued her studies at the Royal Welsh College of Music and Drama (RWCMD), earning a Bachelor of Music with honours and receiving numerous awards. Following her graduation, Nicola was appointed as a Junior Fellow at RWCMD before completing her training at the National Opera Studio in London.
Nicola’s professional engagements are extensive and varied. She has collaborated with esteemed institutions such as Welsh National Opera, Opera Holland Park, Longborough Festival Opera, Music Theatre Wales, and Barefoot Opera. Her role as a répétiteur has seen her work with the education and community departments of The Royal Opera House, Garsington Opera, English National Opera, and Opera Holland Park.
In 2018, Nicola garnered critical acclaim as the Music Director for Welsh National Opera’s production of “Rhondda Rips It Up!”, a newly commissioned work by Elena Langer and Emma Jenkins that highlights the story of Welsh suffragette Margaret Mackworth.
Beyond the opera house, Nicola is deeply committed to outreach and community work. Since 2011, she has served as a pianist and Music Leader for The Forget-Me-Not Chorus, a Welsh charity dedicated to bringing the joy of singing to individuals living with dementia and their supporters. She is also an alumna of Yehudi Menuhin’s ‘Live Music Now!’ scheme and Lost Chord, both of which aim to transform lives through the power of music.
Currently based in Cardiff, Nicola is a member of the Vocal Faculty at the Royal Welsh College of Music and Drama. Her freelance career as a vocal coach, accompanist, and répétiteur continues to flourish across the UK.
Leanne Singh-Levett
Leanne Leanne has worked on Carmen and La Traviata for the Royal Opera (2024 & 2025) as a guest member of music staff. Following her 2022-23 season as Music Staff Fellow at English National Opera (working on Tosca, Yeomen of the Guard, Carmen, It’s a Wonderful Life and Blue), Leanne was Chief Répétiteur for Opera North’s acclaimed Requiem project (May 2023), and returned to ENO for Peter Grimes (Autumn 2023). For many years Leanne has worked at the Royal College of Music, playing for song classes, language coaching and opera. She was chorus master for two RCM opera productions including Le Nozze di Figaro in 2018 directed by Sir Thomas Allen, and has recently played for Opera Scenes with Gary Matthewman and David Doidge conducting. Having accompanied a number of choirs including Kingston Choral Society and Imperial Male Voice Choir, Leanne was appointed Musical Director of Huntingdon Male Voice Choir in 2023.
Chad Vindin
Chad Vindin is a vocal coach at the Royal Academy of Music and a staff pianist at the Royal College of Music, and he performs regularly across the UK and internationally. As a collaborative pianist he is the winner of the accompanist prize at the Royal Overseas League Competition, the Ludmilla Andrew Russian Song Accompanist Prize at the Royal Academy of Music, and the Maureen Lehane Vocal Awards Accompanist’s Prize at the Wigmore Hall.
Chad has worked extensively in opera for many years as a répétiteur and conductor. He was a founding member of the Sydney Chamber Opera Company, and has worked as a répétiteur for the Grange Festival, Bury Court Opera, Bergen National Opera, and the Royal Opera House, London. He was assistant conductor for the Grange Festival’s production of Yeoman of the Guard, and conductor for Uncovered Opera’s production of two Strauss operas: Der Rosenkavalier and Ariadne auf Naxos
He is a regular staff pianist at the Oxenfoord International Summer School for Singers and Accompanists with Malcolm Martineau, and he is an alumni of the Britten-Pears Young Artist Programme. As a chamber musician he has worked with ensembles including Manchester Collective, the Magnard Ensemble, and the Instante Collective. http://www.chadvindin.com/
